{"product_id":"choreographing-copyright-race-gender-and-intellectual-property-rights-in-american-dance-paperback","title":"Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAnthea Kraut\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003cem\u003eChoreographing Copyright\u003c\/em\u003e is a new historical and cultural analysis of U.S. dance-makers' investment in intellectual property rights. Stretching from the late nineteenth century to the early twenty-first, the book reconstructs efforts to win copyright protection for choreography and teases out their raced and gendered politics, showing how dancers have embraced intellectual property rights as a means to both consolidate and contest racial and gendered power. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eA number of the artists featured in the book are well-known in the history of American dance, including Loie Fuller, Hanya Holm, and Martha Graham, Agnes de Mille, and George Balanchine. But the book also uncovers a host of marginalized figures--from the South Asian dancer Mohammed Ismail, to the African American pantomimist Johnny Hudgins, to the African American blues singer Alberta Hunter, to the white burlesque dancer Faith Dane--who were equally interested in positioning themselves as subjects rather than objects of property. \u003cp\u003e\u003c\/p\u003eDrawing on critical race and feminist theories and on cultural studies of copyright, \u003cem\u003eChoreographing Copyright\u003c\/em\u003e offers fresh insight into the raced and gendered hierarchies that govern the theatrical marketplace, white women's historically contingent relationship to property rights, legacies of ownership of black bodies and appropriation of non-white labor, and the tension between dance's ephemerality and its reproducibility.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAnthea Kraut \u003c\/strong\u003eis Associate Professor in the Department of Dance at University of California, Riverside and author of \u003cem\u003eChoreographing the Folk: The Dance Stagings of Zora Neale Hurston \u003c\/em\u003e(2008).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 336\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 9.2 x 6.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e December 01, 2015\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":54484096680211,"sku":"9780199360376","price":111.15,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/6300\/3667\/files\/VSYpdKbhmY9780199360376.webp?v=1784829189","url":"https:\/\/finduslaw.com\/products\/choreographing-copyright-race-gender-and-intellectual-property-rights-in-american-dance-paperback","provider":"FindUSlaw Bookstore","version":"1.0","type":"link"}